Note that the playlists encompass all of the orchestral music from the game, but do not include the Halsey and Suga collaboration, Lilith, though you can still enjoy the music video separately on Youtube. Diablo I, when it had the random dungeons, we want the game to feel different every time. That’s one thing that we were inspired by the original Diablo game. With all the randomization that we’ve done, both in the sequence and within the tracks themselves, no one should have the same music experience that plays this game - it’s going to be completely random.
Then we can control the order in which they’re played so the sequence can be random as well. And so those tracks feel different every time and we can program however many different variations we want. And then we can use the engine to randomize what’s playing the melody, what’s playing the harmony, maybe we just play the harmony here. So, say we originally wrote a piece in “Fractured Peaks” for string quintet, we took those string parts and gave them to our guitar player, gave them to our wind player, and however many they could play in a range of a certain instrument, we got them on different wind instruments, different guitars.Īnd those wouldn’t go in the full mix of the main track, but we have those as assets, and we put all of those in the game. And once we have written a piece of music, we then recorded a lot of the parts on as many different instruments as we possibly could. Reedy: One of the things that we did, probably more so in this game than any other game in the Diablo series, is just the amount of recording that we did.
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